mishka2

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	<title>mishka2</title>
	<link>https://karinefauchard.com</link>
	<description>mishka2</description>
	<pubDate>Sat, 30 Apr 2022 17:28:03 +0000</pubDate>
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		<title>About</title>
				
		<link>https://karinefauchard.com/About</link>

		<pubDate>Mon, 18 Apr 2022 05:54:52 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

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		<description>To contain the chaos, to organize the ruins
Georges Bataille, Inner Experience"It is only in such a concentration - beyond itself - that existence has the leisure to perceive,in the form of inner brilliance, "what it is”, the painful movement of communication that it is,that goes no less from within to outside than from outside to inside."
Karine Fauchard's work is the articulation of an inner experience. The latter is grasped, cut up,recomposed, concentrated by the means of painting. Between ecstasy and depression, betweenbelonging and distance, between calm and violence, a radically singular relationship with the world issought, played and replayed in a centripetal and centrifugal movement of return and exit from theself, an erratic back-and-forth between the outside and the inside.There is first a material dimension in her works. The choice of materials and their treatment,sometimes technical (impasto, glazes), sometimes scholarly, sometimes direct and bricolagesque(torn paper, scotch tape), sometimes incongruous (broken eggshells), testify to a jubilation ofworking with the materials, a fine knowledge of their history and a great mastery of their effects, asin the Vulkanische Aue series. The artist has produced numerous Experiments with Archived Colours,notebooks where she minutely records her colour experiments to be used as repertoire. Scraps ofpaints are carefully preserved and used later, for their haptic, visual and symbolic quality. Pigmentsand classic pictorial materials are complemented by a wide range of raw materials : various papers,wallpaper, gift wrap, tracing sheets, transparent sheets, coloured filters, mathematical grids, andvarious fragments. Diverse as they may be, the abovementioned materials are most often writingmedia (photography included) or surface ornaments. And the support of his paintings is oftencardboard.In her work, the materials are as formalised, they give form, draw outlines, energise spaces. Thecomplex interplay between supports, surfaces and materials, solid areas and layers, fillings andcontours, shapes and counter-shapes, accumulations, overlays and entrenchments are both desiredand induced, both controlled and risky. In Damenwald , various colored surfaces - paper, cut papers,printing on transparent paper, colored wood - are superimposed, arranged and fixed quickly bypieces of adhesive tape. The assembly is both still and dynamic, rigid and flexible, each elementfloating in part on the cardboard support. To make her paintings, Karine Fauchard tears up, ripsapart, rubs, scrapes, glues, recomposes, re-arranges. Tears, holes and edges, all the interstitial areasof the paintings seem the most sensitive. Fragments are the recurring milestone of her work,dispersion is its strategy of consistency. On the other side evokes, through a few colourful touches, asolar landscape and a girl in a swimsuit, much like Jean Jacques Schuhl through words in Rose Dust, indescribing the disaster of the collapse of a drugstore as the persistence of colourful stains of femaleclothing in the grey of rubble.Subterranean forces seem to be at work everywhere, by sedimentation, accretion or subduction.There is a geological dimension in the work of the artist in the titles, the materials but especially thetechniques used. They are situated between calm meticulousness and nervous impetuosity, betweendesign and randomness - of matter, of its natural entropy, or of an uncontrolled rapid gesture - butalso between short and long time. Some materials, remains or fragments, are preserved and usedmuch later. Things must sediment over a long period of time, they work in the mind of the artist as inthemselves, deforming, degrading over time and donning new finery. The artist keeps each bouquetof flowers that has been offered her for a long time, without changing the vase or the water
remaining after their withering. Dead Flowers Bouquet (2011- ongoing) consists of the exhibition of aselection of them, always new, and their arrangement on white pedestals at various heights. Theflowers are blackened or browned, oxidized, sometimes without petals. They have lost all turgidity,resting fragilely in vases, at the limit of decomposition. Their water evaporated, moldy or troubled.The deep melancholy (we remember here the etymology of the term : black bile) that emanatesfrom this work like others of the artist, is as animated by a death drive, as it is by a drive of life. Thepainting of an anthropised still life subtly magnified by the composition is not exhausted in the darkevocation of passing time, of the existential crisis, but also evokes, simply, the cycles of life, themultiple possible reincarnations of things - where you wouldn’t expect them - the sight mode, andfinally traces an invisible community, that of friends, lovers, loves. Jewelry collection, where she asksthe artists she invites to lend her a piece of jewelry, which she then puts in a museum showcase forthe time of the exhibition, also delineating an invisible community, bound by the temporarysurrender and pooling of a piece of intimacy as much as of an ornament.Her work is also a translation enterprise - sometimes irreverent - of a particular look at a collectivehistory of art. She inscribes her work in a referential framework of artistic categories (chinoiserie,ancient ceramics or modernist design among others) sometimes directly citing, through image ortitle, famous names in the history of art such as Botticelli, Manet or Klimt. Elsewhere, it is moreevocations, pictorial compositions of the 50s, design of the 60s, landscape paintings or portraits. Sheis also interested in other people’s views of art (and the beautiful), especially some collectors, whohave deeply influenced the collective gaze: Yves St Laurent and Pierre Bergé - whose collection ofitems sold a few years ago at auction was the inspiration for an eponymous series, 2009-ongoing - orPeggy Guggenheim (whose kitchen utensils are partially used in Signes) .
In Karine Fauchard's work a complex system of correspondences in painting transcends the visual.The synesthetic dimension of her poetics is part of a total approach to her work, where the singularand the world, interiority and externality collide. In the dispersion resulting from shock as in thepromised decay of everything, the fragment is no longer the ruin of a past but the promise of a newconfiguration and new navigation. The remains are reincarnated, the mathematical diagramsbecome body parts (Komposition 3 or Ansa), the anfractuosities or folds arouse desire (Brigitte orA.M. (Botticelli)). She does not hesitate to resort sometimes to the immersion of the spectator, as inRubikon, where she diffuses smoke, litters the ground with lemons, in order to alter vision andmovements and immerse the body in a sepulchral atmosphere of after. "It speaks, it desires, we die.”(Maurice Blanchot, The Infinite Conversation) Rather than manoeuvre to contain the chaos, the artistseems to operate after the apocalypse, sketching based on her inner experience another experienceof the gaze and of beauty to be shared. "There is magnificence and also - in it - its destruction, and soinversely : destruction, only to beauty.” (Jean Jacques Schuhl, Entrance of the ghosts )
Anne Faucheret, 2018


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		<title>Extolling the Virtues of Pine Needles over Peach Blossoms</title>
				
		<link>https://karinefauchard.com/Extolling-the-Virtues-of-Pine-Needles-over-Peach-Blossoms</link>

		<pubDate>Sat, 30 Apr 2022 17:24:01 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/Extolling-the-Virtues-of-Pine-Needles-over-Peach-Blossoms</guid>

		<description>Extolling the Virtues of Pine Needles over Peach Blossoms 
2023
	New impressions &#38;nbsp;(Japan)
	︎︎︎


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		<title>In The Beginning It Was Everything</title>
				
		<link>https://karinefauchard.com/In-The-Beginning-It-Was-Everything</link>

		<pubDate>Sat, 30 Apr 2022 17:28:03 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/In-The-Beginning-It-Was-Everything</guid>

		<description>
	In the Beginning was Everything

2021- Ongoing

	The idea is to present the eraser as a sculpture, which will be shaped through the pratice of drawing. The drawing, here a wall, becomes an instrument of the process, an ephemeral site specific pattern. The Custom made KOH-I-NOOR eraser, 31 x7 x10 cm, weighted new 18 kg and will evolve over time.

	︎︎︎


	&#60;img width="2360" height="1573" width_o="2360" height_o="1573" data-src="https://freight.cargo.site/t/original/i/14a070f422895be4b4b4e9ca09b0dea8d5b308c6bf9dc5d56693ca4fedb9c649/beg3.jpg" data-mid="141257288" border="0"  src="https://freight.cargo.site/w/1000/i/14a070f422895be4b4b4e9ca09b0dea8d5b308c6bf9dc5d56693ca4fedb9c649/beg3.jpg" /&#62;&#60;img width="1887" height="2624" width_o="1887" height_o="2624" data-src="https://freight.cargo.site/t/original/i/5154bbc6fa5610110190bcf2d2f4967601eecccf8df3a69b43dfe56c3169e5f0/beg2.jpg" data-mid="141257287" border="0"  src="https://freight.cargo.site/w/1000/i/5154bbc6fa5610110190bcf2d2f4967601eecccf8df3a69b43dfe56c3169e5f0/beg2.jpg" /&#62;&#60;img width="1733" height="2612" width_o="1733" height_o="2612" data-src="https://freight.cargo.site/t/original/i/b03154cf5f7233ad026e48e08b50fee6c7074943d97c29d1975aedd6586dd8ab/beg4.jpg" data-mid="141257289" border="0"  src="https://freight.cargo.site/w/1000/i/b03154cf5f7233ad026e48e08b50fee6c7074943d97c29d1975aedd6586dd8ab/beg4.jpg" /&#62;&#60;img width="1782" height="2744" width_o="1782" height_o="2744" data-src="https://freight.cargo.site/t/original/i/d148e6af4fbb31603a3b2faad67ae86f9011771e9a303a05df5429718749cbb4/beg6.jpg" data-mid="141257291" border="0"  src="https://freight.cargo.site/w/1000/i/d148e6af4fbb31603a3b2faad67ae86f9011771e9a303a05df5429718749cbb4/beg6.jpg" /&#62;&#60;img width="1870" height="2629" width_o="1870" height_o="2629" data-src="https://freight.cargo.site/t/original/i/b1ebc9b5f960432e2f7084790514109ca7860ddffac122ade1b6121838a32994/beg7.jpg" data-mid="141257292" border="0"  src="https://freight.cargo.site/w/1000/i/b1ebc9b5f960432e2f7084790514109ca7860ddffac122ade1b6121838a32994/beg7.jpg" /&#62;&#60;img width="1440" height="960" width_o="1440" height_o="960" data-src="https://freight.cargo.site/t/original/i/960a8c70620a98195a7fcf6f76626924396ad79b3bdda2b410107259b57f8e2e/14_KarineFauchard_NewJorg_Wien_2021.jpg" data-mid="141278329" border="0"  src="https://freight.cargo.site/w/1000/i/960a8c70620a98195a7fcf6f76626924396ad79b3bdda2b410107259b57f8e2e/14_KarineFauchard_NewJorg_Wien_2021.jpg" /&#62;&#60;img width="5616" height="3747" width_o="5616" height_o="3747" data-src="https://freight.cargo.site/t/original/i/14063b69e2a0da77a452ac0927047001b8324ff7c927f16065e2c99787363a8c/l_KarineFauchard_NewJorg_Wien_2021.jpg" data-mid="141277607" border="0"  src="https://freight.cargo.site/w/1000/i/14063b69e2a0da77a452ac0927047001b8324ff7c927f16065e2c99787363a8c/l_KarineFauchard_NewJorg_Wien_2021.jpg" /&#62;&#60;img width="2338" height="1540" width_o="2338" height_o="1540" data-src="https://freight.cargo.site/t/original/i/8063b5002cf387d09f6fa3188aff3d7b7b7f8cbac6ff905f0da110d2bda9117e/beg.9.jpg" data-mid="141257284" border="0"  src="https://freight.cargo.site/w/1000/i/8063b5002cf387d09f6fa3188aff3d7b7b7f8cbac6ff905f0da110d2bda9117e/beg.9.jpg" /&#62;
&#60;img width="1996" height="1309" width_o="1996" height_o="1309" data-src="https://freight.cargo.site/t/original/i/93a7f7c0a1e1845f51eededc9cf28bab7bf5e1f8c01096ac9b65d7fc79ee9a02/beg.10.jpg" data-mid="141257285" border="0"  src="https://freight.cargo.site/w/1000/i/93a7f7c0a1e1845f51eededc9cf28bab7bf5e1f8c01096ac9b65d7fc79ee9a02/beg.10.jpg" /&#62;New Jörg, Vienna 2021


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Punta Gallery, Sofia 2022


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Studio Gross, Tokyo 2023 together with Lazar Lyutakov


&#60;img width="1417" height="1085" width_o="1417" height_o="1085" data-src="https://freight.cargo.site/t/original/i/153b544158d61adfa5a17aa02b2aac7a2d497964e429f91792e34b7fd2c3a0e5/In-the-beginning-was-everything-CCA.jpg" data-mid="191016259" border="0"  src="https://freight.cargo.site/w/1000/i/153b544158d61adfa5a17aa02b2aac7a2d497964e429f91792e34b7fd2c3a0e5/In-the-beginning-was-everything-CCA.jpg" /&#62;&#60;img width="1417" height="1151" width_o="1417" height_o="1151" data-src="https://freight.cargo.site/t/original/i/4cb433733f79221daa6b9227967b067fece442ac3de7842bc94b7003baf67b09/In-the-beginning-was-everything-CCA-2.jpg" data-mid="191016262" border="0"  src="https://freight.cargo.site/w/1000/i/4cb433733f79221daa6b9227967b067fece442ac3de7842bc94b7003baf67b09/In-the-beginning-was-everything-CCA-2.jpg" /&#62;&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/aad06744c27bbdace1e5eb0d856778b07be194e1cf0f4b3884f086a60da587f4/A7B797D2-2FBC-48D0-9B9A-35BDF3C5692F_1_105_c.jpeg" data-mid="191016292" border="0"  src="https://freight.cargo.site/w/768/i/aad06744c27bbdace1e5eb0d856778b07be194e1cf0f4b3884f086a60da587f4/A7B797D2-2FBC-48D0-9B9A-35BDF3C5692F_1_105_c.jpeg" /&#62;&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a4a7d298c423f7844e271c02d713d5da31784059a53a9383f5d276e3edbd8bde/6D6C4BDD-3013-4ADD-B66D-FC6D6712163F_1_105_c.jpeg" data-mid="191016295" border="0"  src="https://freight.cargo.site/w/768/i/a4a7d298c423f7844e271c02d713d5da31784059a53a9383f5d276e3edbd8bde/6D6C4BDD-3013-4ADD-B66D-FC6D6712163F_1_105_c.jpeg" /&#62;&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ce48b558953e7274ef5e32406a35d197bc1522627322c48e9456f2d22467bd48/C889ADEC-FC50-41EF-BA64-6F00DE4EFF16_1_105_c.jpeg" data-mid="191016296" border="0"  src="https://freight.cargo.site/w/768/i/ce48b558953e7274ef5e32406a35d197bc1522627322c48e9456f2d22467bd48/C889ADEC-FC50-41EF-BA64-6F00DE4EFF16_1_105_c.jpeg" /&#62;&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/4649dece53361d49e659c32fe0c537069f2fbb3dada6c780ad841c384a333b89/71BA02DD-B2FC-4D20-BE79-8FC7B82FE6A8_1_105_c.jpeg" data-mid="191016299" border="0"  src="https://freight.cargo.site/w/768/i/4649dece53361d49e659c32fe0c537069f2fbb3dada6c780ad841c384a333b89/71BA02DD-B2FC-4D20-BE79-8FC7B82FE6A8_1_105_c.jpeg" /&#62;
In the Beginning was Everything (Tamar),CCA ,Tbilissi, 2023


</description>
		
	</item>
		
		
	<item>
		<title>A.M. (Alte Meister) </title>
				
		<link>https://karinefauchard.com/A-M-Alte-Meister</link>

		<pubDate>Mon, 18 Apr 2022 08:44:12 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/A-M-Alte-Meister</guid>

		<description>
	A.M.
Alte Meister

2017 (ongoing)

	Botticelli-Ingres-Velasquez-Klimt-Manet-Hokusai-
Böcklin-
	︎︎︎


&#60;img width="1928" height="3000" width_o="1928" height_o="3000" data-src="https://freight.cargo.site/t/original/i/34916609883d28343ff573590342ebee3932129f08706552c48c0eb69085cf19/A.M.Velasquez.jpg" data-mid="140806233" border="0"  src="https://freight.cargo.site/w/1000/i/34916609883d28343ff573590342ebee3932129f08706552c48c0eb69085cf19/A.M.Velasquez.jpg" /&#62;
&#60;img width="2000" height="2841" width_o="2000" height_o="2841" data-src="https://freight.cargo.site/t/original/i/8f0d04f10d03ed06fd69a2082a8e217f372c98c84847e2e913a689cd851e7fad/A.M.-Botticelli.jpg" data-mid="140806205" border="0"  src="https://freight.cargo.site/w/1000/i/8f0d04f10d03ed06fd69a2082a8e217f372c98c84847e2e913a689cd851e7fad/A.M.-Botticelli.jpg" /&#62;&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5d56a68ed24f269c1cbe18d0f34dda1efa9cc3ca4f2b94fd16bf6bb55e1dd34f/A.M.-Ingres.jpg" data-mid="140806214" border="0"  src="https://freight.cargo.site/w/1000/i/5d56a68ed24f269c1cbe18d0f34dda1efa9cc3ca4f2b94fd16bf6bb55e1dd34f/A.M.-Ingres.jpg" /&#62;&#60;img width="1829" height="2674" width_o="1829" height_o="2674" data-src="https://freight.cargo.site/t/original/i/10f81d99a594ffec447a198c34ea8e99607024427ffa55e6f6e7c167a664545c/A.M.Klimt.jpg" data-mid="140806231" border="0"  src="https://freight.cargo.site/w/1000/i/10f81d99a594ffec447a198c34ea8e99607024427ffa55e6f6e7c167a664545c/A.M.Klimt.jpg" /&#62;&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82b9c5553721f51a221061c07b9a6b1bccff09e624f867fd8e19f1626703351e/A.M.Manet.jpg" data-mid="140806232" border="0"  src="https://freight.cargo.site/w/1000/i/82b9c5553721f51a221061c07b9a6b1bccff09e624f867fd8e19f1626703351e/A.M.Manet.jpg" /&#62;&#60;img width="2000" height="2841" width_o="2000" height_o="2841" data-src="https://freight.cargo.site/t/original/i/3a3fab9dbc77bdd3f15057d51c75d02e25b6a153b59a81a82305ac657bd52c99/A.M.Bocklin2-2.jpg" data-mid="140911187" border="0"  src="https://freight.cargo.site/w/1000/i/3a3fab9dbc77bdd3f15057d51c75d02e25b6a153b59a81a82305ac657bd52c99/A.M.Bocklin2-2.jpg" /&#62;&#60;img width="3024" height="2268" width_o="3024" height_o="2268" data-src="https://freight.cargo.site/t/original/i/57d70bc637a73f397c7cacb5ec434859e9b44e3bb46e2d04a67944fcb65849d8/A.M.Bocklin1-2.jpg" data-mid="140911208" border="0"  src="https://freight.cargo.site/w/1000/i/57d70bc637a73f397c7cacb5ec434859e9b44e3bb46e2d04a67944fcb65849d8/A.M.Bocklin1-2.jpg" /&#62;&#60;img width="2362" height="1308" width_o="2362" height_o="1308" data-src="https://freight.cargo.site/t/original/i/76308737f4fc594e526456d5e97432adab9d67c5064be2e0be6fdb3163dcadac/Hokusai-1.jpg" data-mid="227776003" border="0"  src="https://freight.cargo.site/w/1000/i/76308737f4fc594e526456d5e97432adab9d67c5064be2e0be6fdb3163dcadac/Hokusai-1.jpg" /&#62;&#60;img width="2362" height="1302" width_o="2362" height_o="1302" data-src="https://freight.cargo.site/t/original/i/d7bd9dad6a929cc10a167379edd13acf0406cba2d4a917169258d07a220b2848/Hokusai-2.jpg" data-mid="227776004" border="0"  src="https://freight.cargo.site/w/1000/i/d7bd9dad6a929cc10a167379edd13acf0406cba2d4a917169258d07a220b2848/Hokusai-2.jpg" /&#62;&#60;img width="1591" height="980" width_o="1591" height_o="980" data-src="https://freight.cargo.site/t/original/i/134915f5638e6b46482b81d1235f1bab9464698308a4ba14c0a2fe2255552546/Hokusai-4.jpg" data-mid="227776006" border="0"  src="https://freight.cargo.site/w/1000/i/134915f5638e6b46482b81d1235f1bab9464698308a4ba14c0a2fe2255552546/Hokusai-4.jpg" /&#62;&#60;img width="2362" height="1419" width_o="2362" height_o="1419" data-src="https://freight.cargo.site/t/original/i/d6fc6de8b5af78519a8c237ac8592511f756ce7408c2583259e89f61b474f5b8/Hokusai-3.jpg" data-mid="227776005" border="0"  src="https://freight.cargo.site/w/1000/i/d6fc6de8b5af78519a8c237ac8592511f756ce7408c2583259e89f61b474f5b8/Hokusai-3.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Poetische Tiere</title>
				
		<link>https://karinefauchard.com/Poetische-Tiere</link>

		<pubDate>Mon, 18 Apr 2022 08:44:15 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/Poetische-Tiere</guid>

		<description>
	Poetische Tiere

2021

	Together with Lazar Lyutakov at FLUCA Plovdiv
Artistic differences, the life and work of Poetische Tiere by Stephen Zepke

	︎︎︎


&#60;img width="3000" height="1988" width_o="3000" height_o="1988" data-src="https://freight.cargo.site/t/original/i/7324d114a08f1448f0944868f3c3bf123a71023d0bcd35af4fee3609f93c1742/Fluca-2.jpg" data-mid="139922514" border="0"  src="https://freight.cargo.site/w/1000/i/7324d114a08f1448f0944868f3c3bf123a71023d0bcd35af4fee3609f93c1742/Fluca-2.jpg" /&#62;

&#60;img width="3000" height="2107" width_o="3000" height_o="2107" data-src="https://freight.cargo.site/t/original/i/048939659bf08e581341b4068e418c740a01104d071b05637a96518407027135/Fluca-3.jpg" data-mid="139922516" border="0"  src="https://freight.cargo.site/w/1000/i/048939659bf08e581341b4068e418c740a01104d071b05637a96518407027135/Fluca-3.jpg" /&#62;&#60;img width="2093" height="3000" width_o="2093" height_o="3000" data-src="https://freight.cargo.site/t/original/i/2dbe12f662ef56db0c78ab96d09d2251e52e30352c4dfa7c35c75d52cdc0eb02/Fluca-4.jpg" data-mid="139922517" border="0"  src="https://freight.cargo.site/w/1000/i/2dbe12f662ef56db0c78ab96d09d2251e52e30352c4dfa7c35c75d52cdc0eb02/Fluca-4.jpg" /&#62;&#60;img width="3000" height="2092" width_o="3000" height_o="2092" data-src="https://freight.cargo.site/t/original/i/b732df778cacf1bdf4f196061ee0388d22b6dd88fc11b53aea5df463b8d77318/Fluca-5.jpg" data-mid="139922518" border="0"  src="https://freight.cargo.site/w/1000/i/b732df778cacf1bdf4f196061ee0388d22b6dd88fc11b53aea5df463b8d77318/Fluca-5.jpg" /&#62;&#60;img width="5901" height="3972" width_o="5901" height_o="3972" data-src="https://freight.cargo.site/t/original/i/8cfa11ca51704bae666420f429e3b72ea72f77db2e1fa8b147fd8a534b7f783b/_DSC3905.JPG" data-mid="141055106" border="0"  src="https://freight.cargo.site/w/1000/i/8cfa11ca51704bae666420f429e3b72ea72f77db2e1fa8b147fd8a534b7f783b/_DSC3905.JPG" /&#62;&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/83b4ae38757eebd623442ca8aef9f14e4907d6b732365d89ebe40c32b90f353d/Fluca-8.jpg" data-mid="139922521" border="0"  src="https://freight.cargo.site/w/1000/i/83b4ae38757eebd623442ca8aef9f14e4907d6b732365d89ebe40c32b90f353d/Fluca-8.jpg" /&#62;&#60;img width="3000" height="2097" width_o="3000" height_o="2097" data-src="https://freight.cargo.site/t/original/i/46a88dc1f2dc2d02acd574489c2ca0fd3d387cc881bb7695c407621754f4b6c1/Fluca-6.jpg" data-mid="139922519" border="0"  src="https://freight.cargo.site/w/1000/i/46a88dc1f2dc2d02acd574489c2ca0fd3d387cc881bb7695c407621754f4b6c1/Fluca-6.jpg" /&#62;&#60;img width="2003" height="3000" width_o="2003" height_o="3000" data-src="https://freight.cargo.site/t/original/i/74110235c920b0dec64d5c64fe99363516ae8bf41c3f283cdc327fe36c262214/Fluca-7.jpg" data-mid="139922520" border="0"  src="https://freight.cargo.site/w/1000/i/74110235c920b0dec64d5c64fe99363516ae8bf41c3f283cdc327fe36c262214/Fluca-7.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Vulcanische Aue</title>
				
		<link>https://karinefauchard.com/Vulcanische-Aue</link>

		<pubDate>Mon, 18 Apr 2022 06:15:46 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/Vulcanische-Aue</guid>

		<description>
	Vulkanische Aue
2019

	To contain the chaos, to organize the ruins&#38;nbsp;
by Anne Faucheret
	︎︎︎


&#60;img width="1903" height="2761" width_o="1903" height_o="2761" data-src="https://freight.cargo.site/t/original/i/ef623faf3a4249414bc445485dfa823098d2ad41a317fb2ed652452cdd451d76/vulcanische-aue3.jpg" data-mid="139908583" border="0"  src="https://freight.cargo.site/w/1000/i/ef623faf3a4249414bc445485dfa823098d2ad41a317fb2ed652452cdd451d76/vulcanische-aue3.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>To contain the chaos, to organize the ruins</title>
				
		<link>https://karinefauchard.com/To-contain-the-chaos-to-organize-the-ruins</link>

		<pubDate>Sat, 30 Apr 2022 17:23:48 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/To-contain-the-chaos-to-organize-the-ruins</guid>

		<description>To contain the chaos, to organize the ruins
Georges Bataille, Inner Experience"It is only in such a concentration - beyond itself - that existence has the leisure to perceive,in the form of inner brilliance, "what it is”, the painful movement of communication that it is,that goes no less from within to outside than from outside to inside."
Karine Fauchard's work is the articulation of an inner experience. The latter is grasped, cut up,recomposed, concentrated by the means of painting. Between ecstasy and depression, betweenbelonging and distance, between calm and violence, a radically singular relationship with the world issought, played and replayed in a centripetal and centrifugal movement of return and exit from theself, an erratic back-and-forth between the outside and the inside.There is first a material dimension in her works. The choice of materials and their treatment,sometimes technical (impasto, glazes), sometimes scholarly, sometimes direct and bricolagesque(torn paper, scotch tape), sometimes incongruous (broken eggshells), testify to a jubilation ofworking with the materials, a fine knowledge of their history and a great mastery of their effects, asin the Vulkanische Aue series. The artist has produced numerous Experiments with Archived Colours,notebooks where she minutely records her colour experiments to be used as repertoire. Scraps ofpaints are carefully preserved and used later, for their haptic, visual and symbolic quality. Pigmentsand classic pictorial materials are complemented by a wide range of raw materials : various papers,wallpaper, gift wrap, tracing sheets, transparent sheets, coloured filters, mathematical grids, andvarious fragments. Diverse as they may be, the abovementioned materials are most often writingmedia (photography included) or surface ornaments. And the support of his paintings is oftencardboard.In her work, the materials are as formalised, they give form, draw outlines, energise spaces. Thecomplex interplay between supports, surfaces and materials, solid areas and layers, fillings andcontours, shapes and counter-shapes, accumulations, overlays and entrenchments are both desiredand induced, both controlled and risky. In Damenwald , various colored surfaces - paper, cut papers,printing on transparent paper, colored wood - are superimposed, arranged and fixed quickly bypieces of adhesive tape. The assembly is both still and dynamic, rigid and flexible, each elementfloating in part on the cardboard support. To make her paintings, Karine Fauchard tears up, ripsapart, rubs, scrapes, glues, recomposes, re-arranges. Tears, holes and edges, all the interstitial areasof the paintings seem the most sensitive. Fragments are the recurring milestone of her work,dispersion is its strategy of consistency. On the other side evokes, through a few colourful touches, asolar landscape and a girl in a swimsuit, much like Jean Jacques Schuhl through words in Rose Dust, indescribing the disaster of the collapse of a drugstore as the persistence of colourful stains of femaleclothing in the grey of rubble.Subterranean forces seem to be at work everywhere, by sedimentation, accretion or subduction.There is a geological dimension in the work of the artist in the titles, the materials but especially thetechniques used. They are situated between calm meticulousness and nervous impetuosity, betweendesign and randomness - of matter, of its natural entropy, or of an uncontrolled rapid gesture - butalso between short and long time. Some materials, remains or fragments, are preserved and usedmuch later. Things must sediment over a long period of time, they work in the mind of the artist as inthemselves, deforming, degrading over time and donning new finery. The artist keeps each bouquetof flowers that has been offered her for a long time, without changing the vase or the water
remaining after their withering. Dead Flowers Bouquet (2011- ongoing) consists of the exhibition of aselection of them, always new, and their arrangement on white pedestals at various heights. Theflowers are blackened or browned, oxidized, sometimes without petals. They have lost all turgidity,resting fragilely in vases, at the limit of decomposition. Their water evaporated, moldy or troubled.The deep melancholy (we remember here the etymology of the term : black bile) that emanatesfrom this work like others of the artist, is as animated by a death drive, as it is by a drive of life. Thepainting of an anthropised still life subtly magnified by the composition is not exhausted in the darkevocation of passing time, of the existential crisis, but also evokes, simply, the cycles of life, themultiple possible reincarnations of things - where you wouldn’t expect them - the sight mode, andfinally traces an invisible community, that of friends, lovers, loves. Jewelry collection, where she asksthe artists she invites to lend her a piece of jewelry, which she then puts in a museum showcase forthe time of the exhibition, also delineating an invisible community, bound by the temporarysurrender and pooling of a piece of intimacy as much as of an ornament.Her work is also a translation enterprise - sometimes irreverent - of a particular look at a collectivehistory of art. She inscribes her work in a referential framework of artistic categories (chinoiserie,ancient ceramics or modernist design among others) sometimes directly citing, through image ortitle, famous names in the history of art such as Botticelli, Manet or Klimt. Elsewhere, it is moreevocations, pictorial compositions of the 50s, design of the 60s, landscape paintings or portraits. Sheis also interested in other people’s views of art (and the beautiful), especially some collectors, whohave deeply influenced the collective gaze: Yves St Laurent and Pierre Bergé - whose collection ofitems sold a few years ago at auction was the inspiration for an eponymous series, 2009-ongoing - orPeggy Guggenheim (whose kitchen utensils are partially used in Signes) .
In Karine Fauchard's work a complex system of correspondences in painting transcends the visual.The synesthetic dimension of her poetics is part of a total approach to her work, where the singularand the world, interiority and externality collide. In the dispersion resulting from shock as in thepromised decay of everything, the fragment is no longer the ruin of a past but the promise of a newconfiguration and new navigation. The remains are reincarnated, the mathematical diagramsbecome body parts (Komposition 3 or Ansa), the anfractuosities or folds arouse desire (Brigitte orA.M. (Botticelli)). She does not hesitate to resort sometimes to the immersion of the spectator, as inRubikon, where she diffuses smoke, litters the ground with lemons, in order to alter vision andmovements and immerse the body in a sepulchral atmosphere of after. "It speaks, it desires, we die.”(Maurice Blanchot, The Infinite Conversation) Rather than manoeuvre to contain the chaos, the artistseems to operate after the apocalypse, sketching based on her inner experience another experienceof the gaze and of beauty to be shared. "There is magnificence and also - in it - its destruction, and soinversely : destruction, only to beauty.” (Jean Jacques Schuhl, Entrance of the ghosts )
Anne Faucheret, 2018


</description>
		
	</item>
		
		
	<item>
		<title>Rubikon</title>
				
		<link>https://karinefauchard.com/Rubikon</link>

		<pubDate>Mon, 18 Apr 2022 06:22:11 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/Rubikon</guid>

		<description>
	Rubikon

2017
	Vinvin gallery, installation;
3 Lemons, fog machine, eggshell collages on carton, ribbon, 1 painting (oil and pigments on canvas).
	︎︎︎


&#60;img width="2859" height="4284" width_o="2859" height_o="4284" data-src="https://freight.cargo.site/t/original/i/b649727b6a562aebe6e2ae9da79d046696c1caf9d387b1c04bf61fc918ca61a9/1_Karine-Fauchard_RUBIKON.jpg" data-mid="141505293" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/b649727b6a562aebe6e2ae9da79d046696c1caf9d387b1c04bf61fc918ca61a9/1_Karine-Fauchard_RUBIKON.jpg" /&#62;&#60;img width="4286" height="2857" width_o="4286" height_o="2857" data-src="https://freight.cargo.site/t/original/i/c5d0b339449d7cb68794d092696dece3b18f8d8b66ec43d570243725452a57ac/2_Karine-Fauchard_RUBIKON.jpg" data-mid="141505294" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/c5d0b339449d7cb68794d092696dece3b18f8d8b66ec43d570243725452a57ac/2_Karine-Fauchard_RUBIKON.jpg" /&#62;&#60;img width="4286" height="2857" width_o="4286" height_o="2857" data-src="https://freight.cargo.site/t/original/i/b8f654a131df5bf877f3b254c8862686386d1fc404e7286878635bd349f85272/4_Karine-Fauchard_RUBIKON.jpg" data-mid="141505354" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/b8f654a131df5bf877f3b254c8862686386d1fc404e7286878635bd349f85272/4_Karine-Fauchard_RUBIKON.jpg" /&#62;
&#60;img width="2857" height="4286" width_o="2857" height_o="4286" data-src="https://freight.cargo.site/t/original/i/a9587564d1d4b8e6c26e24492f4ee718ed95f96c8ab401f9303822fd88cdb535/12_Karine-Fauchard_RUBIKON.jpg" data-mid="141505238" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/a9587564d1d4b8e6c26e24492f4ee718ed95f96c8ab401f9303822fd88cdb535/12_Karine-Fauchard_RUBIKON.jpg" /&#62;&#60;img width="2857" height="4285" width_o="2857" height_o="4285" data-src="https://freight.cargo.site/t/original/i/9c09998ce49f594b3bbfbeeefc8367582595a1339f7ddbd16f05ec0f53e27cad/10_Karine-Fauchard_RUBIKON.jpg" data-mid="141505485" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/9c09998ce49f594b3bbfbeeefc8367582595a1339f7ddbd16f05ec0f53e27cad/10_Karine-Fauchard_RUBIKON.jpg" /&#62;


&#60;img width="3496" height="4961" width_o="3496" height_o="4961" data-src="https://freight.cargo.site/t/original/i/36ca4f585fa744d018ad8154d68ff76a5394920ea843a38940708dd89cc65e8a/RUBIKON-A5.jpg" data-mid="140984299" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/36ca4f585fa744d018ad8154d68ff76a5394920ea843a38940708dd89cc65e8a/RUBIKON-A5.jpg" /&#62;</description>
		
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	<item>
		<title>talent</title>
				
		<link>https://karinefauchard.com/talent</link>

		<pubDate>Mon, 18 Apr 2022 06:47:35 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/talent</guid>

		<description>
	Talent8 
2017
	SoArt studios&#38;nbsp;with Lazar Lyutakov, feat. a painting by Jens Fröberg.Unfired clay, variable dimensions
	︎︎︎


	&#60;img width="1875" height="2838" width_o="1875" height_o="2838" data-src="https://freight.cargo.site/t/original/i/2fc47ea5ddd35a3cb60adb41d7e2d39f33b861c6acb000c442b392bf1322ee0b/talent5.jpg" data-mid="139909979" border="0"  src="https://freight.cargo.site/w/1000/i/2fc47ea5ddd35a3cb60adb41d7e2d39f33b861c6acb000c442b392bf1322ee0b/talent5.jpg" /&#62;&#60;img width="1908" height="1254" width_o="1908" height_o="1254" data-src="https://freight.cargo.site/t/original/i/e8cfdaf816ada24913e2c3b6e57ffb9658ea3b9f3d8911561383730e2394f156/talent2.jpg" data-mid="139909982" border="0"  src="https://freight.cargo.site/w/1000/i/e8cfdaf816ada24913e2c3b6e57ffb9658ea3b9f3d8911561383730e2394f156/talent2.jpg" /&#62;&#60;img width="1925" height="1303" width_o="1925" height_o="1303" data-src="https://freight.cargo.site/t/original/i/805d892bf3d00e41a606121f578e44d4f48b8217a59c04eb56288f821ec29db3/talent3.jpg" data-mid="139909981" border="0"  src="https://freight.cargo.site/w/1000/i/805d892bf3d00e41a606121f578e44d4f48b8217a59c04eb56288f821ec29db3/talent3.jpg" /&#62;&#60;img width="1897" height="2855" width_o="1897" height_o="2855" data-src="https://freight.cargo.site/t/original/i/feea44f7533d19b1525f3c615df30850f8ff7e1c89822f67970802c988a9b8c5/talent4.jpg" data-mid="139909980" border="0"  src="https://freight.cargo.site/w/1000/i/feea44f7533d19b1525f3c615df30850f8ff7e1c89822f67970802c988a9b8c5/talent4.jpg" /&#62;
	

&#60;img width="1898" height="2866" width_o="1898" height_o="2866" data-src="https://freight.cargo.site/t/original/i/e772198421a9c9e81ad4ef8600398d3277380155038795214bd3f3c63ad22a92/talent1.jpg" data-mid="139909983" border="0"  src="https://freight.cargo.site/w/1000/i/e772198421a9c9e81ad4ef8600398d3277380155038795214bd3f3c63ad22a92/talent1.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Dead Flowers Bouquets</title>
				
		<link>https://karinefauchard.com/Dead-Flowers-Bouquets</link>

		<pubDate>Tue, 26 Apr 2022 13:40:22 +0000</pubDate>

		<dc:creator>mishka2</dc:creator>

		<guid isPermaLink="true">https://karinefauchard.com/Dead-Flowers-Bouquets</guid>

		<description>
	Dead Flowers Bouquets&#38;nbsp;

2011 &#38;nbsp;(ongoing)


	On Karine Fauchard at Dienstag Abend at the Ve.Sch

	︎︎︎


&#60;img width="1260" height="1260" width_o="1260" height_o="1260" data-src="https://freight.cargo.site/t/original/i/6ddb1b4131e2b0b9ec6d413cf5959bb47cdaf74124f351e0bf95e7ceef50a9e2/KF-da1.jpg" data-mid="140937766" border="0"  src="https://freight.cargo.site/w/1000/i/6ddb1b4131e2b0b9ec6d413cf5959bb47cdaf74124f351e0bf95e7ceef50a9e2/KF-da1.jpg" /&#62;&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/ccc6a05ddce119b2a08451fca3124a36144dc6f867ebaeaddc48f74fe25018dd/KF-da2.jpg" data-mid="140937769" border="0"  src="https://freight.cargo.site/w/1000/i/ccc6a05ddce119b2a08451fca3124a36144dc6f867ebaeaddc48f74fe25018dd/KF-da2.jpg" /&#62;&#60;img width="1269" height="1320" width_o="1269" height_o="1320" data-src="https://freight.cargo.site/t/original/i/34127315501c5b83b14a893f4ec521028cdbf87d566352fc6bb3b7f194b472e4/KF-da3.jpg" data-mid="140937770" border="0"  src="https://freight.cargo.site/w/1000/i/34127315501c5b83b14a893f4ec521028cdbf87d566352fc6bb3b7f194b472e4/KF-da3.jpg" /&#62;
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